

Ripped to Shreds "åč® (Jubian)" CD
Led by guitarist/vocalist Andrew Lee,Ā RIPPED TO SHREDSĀ emerge from the West Coast underground with their ferocious new album,Ā åč® (Jubian). The death metal trailblazers unleash their most fully realized and visceral work yet. Recorded, mixed and mastered by Lee in his home studio,Ā åč® (Jubian)Ā proves to beĀ RIPPED TO SHREDSĀ at their most focused and refined.
The album bursts wide open with āViolent Compulsion for Conquest,ā an elegantly dark, new kind of chainsaw sound teeming with acidic vocals gnashing out lyrics inspired by the Mukden Incident. From its lightning-flash solos to those immensely killer echoing āOugh!ās, this absolute scather, according to Lee, was born to lead. Elsewhere, longtime RIPPED TO SHREDSĀ fans will find the latest chapter of the ongoing āSun Moon Holy Cultā saga to be its most thrilling episode thus far. One of the albumās most impressive and catchiest tracks,ā漢儸 (Racetraitor),ā represents that āstraight-up melodeathā banger Lee says heās always wanted to produce while also giving vent to his experience as a minority in America. The charring āReek of Burning Freedom,ā Lee says, is āan anti-war songā that incites to remind its discerning listers of the the United Statesā āindiscriminate bombingā campaign waged on North Korea during the Korean War.
Chainsaw guitars, relentless drumming, dizzying solos and disgusting growling throughout Ā -Ā åč® (Jubian)Ā is undeniably ripping death metal.
All of the intensity of power coursing throughĀ åč® (Jubian)Ā is somehow perfectly captured and rendered by Chinese artist Guang Yang, who also painted the cover of the lastĀ RIPPED TO SHREDSĀ album. The statue on the cover is Mazu, the Taiwanese sea goddess. The setting of the painting was inspired by several of the local temples Lee has visited in Taiwan. āI felt like it was important to have something standing in for Chinese people," Lee says. The cultural context and impact ofĀ RIPPED TO SHREDSĀ as a Taiwanese-American band cannot be understated; Lee declares that a driving force behindĀ RIPPED TO SHREDSĀ has been āto increase the visibility of ABCs [American-born Chinese] in extreme metal by being very blatantly Chinese."
Itās not about taking over. WithĀ åč® (Jubian), which translates to āupheaval,āĀ RIPPED TO SHREDSĀ make their intentions clear.
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Led by guitarist/vocalist Andrew Lee,Ā RIPPED TO SHREDSĀ emerge from the West Coast underground with their ferocious new album,Ā åč® (Jubian). The death metal trailblazers unleash their most fully realized and visceral work yet. Recorded, mixed and mastered by Lee in his home studio,Ā åč® (Jubian)Ā proves to beĀ RIPPED TO SHREDSĀ at their most focused and refined.
The album bursts wide open with āViolent Compulsion for Conquest,ā an elegantly dark, new kind of chainsaw sound teeming with acidic vocals gnashing out lyrics inspired by the Mukden Incident. From its lightning-flash solos to those immensely killer echoing āOugh!ās, this absolute scather, according to Lee, was born to lead. Elsewhere, longtime RIPPED TO SHREDSĀ fans will find the latest chapter of the ongoing āSun Moon Holy Cultā saga to be its most thrilling episode thus far. One of the albumās most impressive and catchiest tracks,ā漢儸 (Racetraitor),ā represents that āstraight-up melodeathā banger Lee says heās always wanted to produce while also giving vent to his experience as a minority in America. The charring āReek of Burning Freedom,ā Lee says, is āan anti-war songā that incites to remind its discerning listers of the the United Statesā āindiscriminate bombingā campaign waged on North Korea during the Korean War.
Chainsaw guitars, relentless drumming, dizzying solos and disgusting growling throughout Ā -Ā åč® (Jubian)Ā is undeniably ripping death metal.
All of the intensity of power coursing throughĀ åč® (Jubian)Ā is somehow perfectly captured and rendered by Chinese artist Guang Yang, who also painted the cover of the lastĀ RIPPED TO SHREDSĀ album. The statue on the cover is Mazu, the Taiwanese sea goddess. The setting of the painting was inspired by several of the local temples Lee has visited in Taiwan. āI felt like it was important to have something standing in for Chinese people," Lee says. The cultural context and impact ofĀ RIPPED TO SHREDSĀ as a Taiwanese-American band cannot be understated; Lee declares that a driving force behindĀ RIPPED TO SHREDSĀ has been āto increase the visibility of ABCs [American-born Chinese] in extreme metal by being very blatantly Chinese."
Itās not about taking over. WithĀ åč® (Jubian), which translates to āupheaval,āĀ RIPPED TO SHREDSĀ make their intentions clear.













