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Ripped to Shreds "åŠ‡č®Š (Jubian)" CD

Ripped to Shreds "åŠ‡č®Š (Jubian)" CD

Led by guitarist/vocalist Andrew Lee,Ā RIPPED TO SHREDSĀ emerge from the West Coast underground with their ferocious new album,Ā åŠ‡č®Š (Jubian). The death metal trailblazers unleash their most fully realized and visceral work yet. Recorded, mixed and mastered by Lee in his home studio,Ā åŠ‡č®Š (Jubian)Ā proves to beĀ RIPPED TO SHREDSĀ at their most focused and refined.

The album bursts wide open with ā€œViolent Compulsion for Conquest,ā€ an elegantly dark, new kind of chainsaw sound teeming with acidic vocals gnashing out lyrics inspired by the Mukden Incident. From its lightning-flash solos to those immensely killer echoing ā€œOugh!ā€s, this absolute scather, according to Lee, was born to lead. Elsewhere, longtime RIPPED TO SHREDSĀ fans will find the latest chapter of the ongoing ā€˜Sun Moon Holy Cult’ saga to be its most thrilling episode thus far. One of the album’s most impressive and catchiest tracks,ā€œę¼¢å„ø (Racetraitor),ā€ represents that ā€œstraight-up melodeathā€ banger Lee says he’s always wanted to produce while also giving vent to his experience as a minority in America. The charring ā€œReek of Burning Freedom,ā€ Lee says, is ā€œan anti-war songā€ that incites to remind its discerning listers of the the United States’ ā€œindiscriminate bombingā€ campaign waged on North Korea during the Korean War.

Chainsaw guitars, relentless drumming, dizzying solos and disgusting growling throughout Ā -Ā åŠ‡č®Š (Jubian)Ā is undeniably ripping death metal.

All of the intensity of power coursing throughĀ åŠ‡č®Š (Jubian)Ā is somehow perfectly captured and rendered by Chinese artist Guang Yang, who also painted the cover of the lastĀ RIPPED TO SHREDSĀ album. The statue on the cover is Mazu, the Taiwanese sea goddess. The setting of the painting was inspired by several of the local temples Lee has visited in Taiwan. ā€œI felt like it was important to have something standing in for Chinese people," Lee says. The cultural context and impact ofĀ RIPPED TO SHREDSĀ as a Taiwanese-American band cannot be understated; Lee declares that a driving force behindĀ RIPPED TO SHREDSĀ has been ā€œto increase the visibility of ABCs [American-born Chinese] in extreme metal by being very blatantly Chinese."

It’s not about taking over. WithĀ åŠ‡č®Š (Jubian), which translates to ā€˜upheaval,’ RIPPED TO SHREDSĀ make their intentions clear.

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Led by guitarist/vocalist Andrew Lee,Ā RIPPED TO SHREDSĀ emerge from the West Coast underground with their ferocious new album,Ā åŠ‡č®Š (Jubian). The death metal trailblazers unleash their most fully realized and visceral work yet. Recorded, mixed and mastered by Lee in his home studio,Ā åŠ‡č®Š (Jubian)Ā proves to beĀ RIPPED TO SHREDSĀ at their most focused and refined.

The album bursts wide open with ā€œViolent Compulsion for Conquest,ā€ an elegantly dark, new kind of chainsaw sound teeming with acidic vocals gnashing out lyrics inspired by the Mukden Incident. From its lightning-flash solos to those immensely killer echoing ā€œOugh!ā€s, this absolute scather, according to Lee, was born to lead. Elsewhere, longtime RIPPED TO SHREDSĀ fans will find the latest chapter of the ongoing ā€˜Sun Moon Holy Cult’ saga to be its most thrilling episode thus far. One of the album’s most impressive and catchiest tracks,ā€œę¼¢å„ø (Racetraitor),ā€ represents that ā€œstraight-up melodeathā€ banger Lee says he’s always wanted to produce while also giving vent to his experience as a minority in America. The charring ā€œReek of Burning Freedom,ā€ Lee says, is ā€œan anti-war songā€ that incites to remind its discerning listers of the the United States’ ā€œindiscriminate bombingā€ campaign waged on North Korea during the Korean War.

Chainsaw guitars, relentless drumming, dizzying solos and disgusting growling throughout Ā -Ā åŠ‡č®Š (Jubian)Ā is undeniably ripping death metal.

All of the intensity of power coursing throughĀ åŠ‡č®Š (Jubian)Ā is somehow perfectly captured and rendered by Chinese artist Guang Yang, who also painted the cover of the lastĀ RIPPED TO SHREDSĀ album. The statue on the cover is Mazu, the Taiwanese sea goddess. The setting of the painting was inspired by several of the local temples Lee has visited in Taiwan. ā€œI felt like it was important to have something standing in for Chinese people," Lee says. The cultural context and impact ofĀ RIPPED TO SHREDSĀ as a Taiwanese-American band cannot be understated; Lee declares that a driving force behindĀ RIPPED TO SHREDSĀ has been ā€œto increase the visibility of ABCs [American-born Chinese] in extreme metal by being very blatantly Chinese."

It’s not about taking over. WithĀ åŠ‡č®Š (Jubian), which translates to ā€˜upheaval,’ RIPPED TO SHREDSĀ make their intentions clear.

Ripped to Shreds "åŠ‡č®Š (Jubian)" CD | Relapse Records Official Store